
The audience at the premiere I attended just seemed ready to surrender to the star power of Tom Cruise, who (with Mission: Impossible 7 still unfinished) is enjoying a spectacular international ride, including the helicopter landing in San Diego, a royal premiere in England plus a role in the Queen’s Platinum Jubilee celebration and, in Cannes, eight fighter jets overhead expelling smoke in red and blue to match the colors of the French flag and a “surprise” honorary Palme d’Or.
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military might.” And he raised another key point on the minds of many: “Is this movie one of the last gasps of a dying Hollywood empire? Or is its emotionally stirring, viscerally gripping and proudly old-fashioned storytelling the latest adrenaline shot that the industry so desperately needs?” Justin Chang of the Los Angeles Times concurred that it was “best not to think too long or hard about … the fetishization of U.S.


Writing that the original had “all the narrative complexity of a music video crossed with a military recruitment reel,” The Hollywood Reporter’s David Rooney said the queasiness (despite the film’s multiracial cast) has only intensified in the post-Trump age, “with patriotism curdling into white supremacy” (a point he made weeks before the latest white-nationalist terror attack, in Buffalo). While most critics obviously liked the movie, the politics of the film created a sense of unease for more than one. 'Top Gun: Maverick' Star Monica Barbaro Discusses Female Aviators Who Helped Hone Character and Shares How She Cemented Her Call Sign
